Seven years after its launch, Taiwan-based Each Other Films is stepping into an expanded phase of international production, with co-founder and head producer Jacqueline W. Liu and co-founder and CEO Tiffany Yu-Chia Chen unveiling a diverse lineup that stretches from documentary to big-budget action.
The quartet of projects represents a widening scope for the Taipei company, which has steadily built credentials through festival selections, streaming deals and local box office success since 2017.
Among the newly revealed titles is a documentary about drag performer Pangina Heals, a figure who bridges Taiwanese and Thai cultures. The film, titled “Heals,” represents the company’s initial move into factual storytelling through international partnership, working alongside Thailand’s N8 and World of Wonder.
Fiction projects include Henry Tsai’s first directorial effort, “Spent Bullets,” adapted from short stories by Taiwan writer Terao Tetsuya. Production will span multiple cities including Silicon Valley, Las Vegas and Taipei. The film has secured spots at both Golden Horse Film Project Promotion and Taiwan Creative Content Fest 2025.
The company is also returning to a proven property with a fresh chapter in its hit “The Accidental Influencer” franchise. Centered on the character Red, “The Accidental Influencer: Love Me If You Dare” will launch next January on both GTV and Netflix, bringing back the series with additional cast members and storylines focused on contemporary relationships.
Perhaps the most ambitious entry is “The Odd Three: Madam Tiger,” which director Joseph Chen-Chieh Hsu (whose credits include “Little Big Women” and Tokyo-bowing “Double Happiness”) is developing as a large-scale adventure that reinterprets traditional folklore through a modern lens. The project is being positioned as a potential launching point for additional character-driven stories across the region.
“I’ve always believed that a story rooted in a specific place, language, or authentic human connections can still move people everywhere,” said Liu. “That’s the power of cinema — it turns the personal into the universal. As we enter this next phase, I’m excited to expand what that means, especially across genre, scale, and collaboration.”
“Building a production company means knowing where you want to go, and choosing the right stories and people to take you there,” added Chen. “We’ve spent the past seven years building trust — with creators, with partners, and with each other. Now, we’re ready to scale. The future of Asian storytelling is global, and we’re here to be part of that shift.”
The company’s previous work includes the 2020 theatrical release “Little Big Women,” which topped the Taiwan box office that year and earned recognition at the Golden Horse Awards before landing on Netflix. More recently, “The Accidental Influencer” became an HBO Asia original in 2024, while “Dreams in Nightmares” played Berlin’s Panorama section this year. “Penguin Girl” opened this year’s Kaohsiung Film Festival.
Operating under a mission statement emphasizing female perspectives and universal connection, Each Other Films continues developing its pipeline while pursuing additional partnerships across borders.
