By Ann Hollander, “Boom … in Vintage clothes,” was actually published in the April 1979 issue of Vogue.
For more than Vogue ‘Sign up here for the newsletter of our old memories.
The old clothes mood is completely twentieth century. One hundred years ago, with any kind of temperament for any style – Dizzy Miller or Anna Kareenina says, in the 1839 palace, may not feel beautiful, its protection or the original chic condition is anything.
For clothes, going out of history was a non -refundable process. The mother wearing the clothes became ridiculous as long as she could have a good condition in the name of “Quintees”. If you were wearing excellent clothing – but only if you were on stage, or at a costume party, or if you were a comedy, old, or royal personality, or baby. But the “quantin” is now obsolete. Instead, we have La -MOD RETROWNot only recently out of the outdated fashionable production but also expressed its fondness for the old things. Why do we have this passion, and where did we get it?
Some of the Great ‘came from the party’s clothing party. Then in the potential getup, with leather and metal and ethnic clothing, there were clothes that looked like they had long been imprisoned in the attic, or maybe in the tomb. The shops were cleansed of the remains of all kinds and flourished. And since 1839, a palace has ended successfully – if it was just a dull. Today, which has been left since the sixties, is a young wogg for tired and tired lace and Milmelin underwear, who are now wearing out for romantically severe effects.
Collecting ancient clothing is nothing new in the clothes of antiquities. But in fact, “ancient” you can tell these garments, because you do not see anyone in the theater in the old palace of 1839, much more than you did in 1879. An exact degree of depression is more desirable-without temporary boundaries: you are not seen outside the theater in the theater, or do not see the tough bells exploding skirts.
At this time, to be able to wear severe clothing, old clothes are essential for the years of 1920-1950. During this period, the two most important effects on the form of modern clothing have stopped the United States from strengthening: large -scale production and films. These clothing data together to make a sleek, compact object, which has been permanently caught on the film in a sleek, dynamic camera image. Since then, our taste has been established in personal form.
